In celebration of the paperback publication of her debut historical novel, The Last Summer, I’m very excited to welcome Judith Kinghorn to One More Page today. The Last Summer is my favourite of the books I’ve read so far this year – a beautiful and heartbreaking story of the First World War and its aftermath, telling the story of a lost generation. You can read my full review here. Welcome Judith!
I absolutely loved The Last Summer and felt it really captured the story of the survivors of the First World War. What drew you to the period and why did you decide to tell this particular story?
Thank you, Amanda. I’m delighted to hear that!
A few things came together to give me the idea for The Last Summer. Firstly, I’d recently reread Daphne Du Maurier’s Rebecca and decided that I’d like to write a first person narrative. Also, I’d been researching – and was immersed in – the years leading up to and including the First World War. And I knew I wanted to write a love story, because I believe all the greatest stories have that at their heart. I realised that although there have been many books written about that time, and any number of novels set around the actual war – in the trenches, there are very few told from a single female perspective. So I decided that this book would offer a different perspective, and would tell the story of the war – and its effects – from very personal point of view, and from home.
This is your debut novel; how does it feel to finally see your words in print?
It feels great, but I haven’t had a lot of time to think about it yet, because I’ve been so busy working on my second novel. The most rewarding aspect of it all is hearing from readers. I’ve had messages and emails from all over the world, and that’s been wonderful.
I thought Clarissa was a wonderful character and really enjoyed watching her develop through the book. For readers who haven’t met her yet please could you describe her in one sentence.
Naive and vulnerable, a product of her background and time, Clarissa is tested when the world she knows collapses, and proves herself a survivor.
The descriptions of Clarissa’s childhood home, Deyning Park, are beautiful. Is it based on a real location?
No, Deyning Park is fictitious, but I know setting, the landscape, because it’s not far from where I live, and I very quickly saw the house and grounds in my mind’s eye. I think it’s an amalgamation of places I’ve visited or read about, or seen photographs of. And the more I thought about the place the more vividly it came to me.
At the heart of the last summer is a sweeping and heart-breaking romance; who are your favourite literary romantic figures?
Anna Karenina was one of the first great love stories that had an impact on me, along with Lady Chatterley’s Lover and The Great Gatsby. I also recently reread L P Harltey’s The Go-Between, which is a sublime read and chronicles the doomed love affair of Marian and Ted. And I’d have to include Charlotte Bronte’s Jane Eyre and Austen’s Pride and Prejudice. I think Mr Darcy remains pretty unbeatable as far as romantic heroes go.
Some of the events in The Last Summer are quite shocking and many of the social mores and cultural impacts of the war that are drawn out were a surprise to me; how did you go about your research and what was the most interesting part for you?
I’ve always read a lot of historical biographies and I returned to some of them during my research for The Last Summer. Whilst I was writing the book I limited my reading to biographies and novels specifically from that time. I also kept old postcards, images and photographs around me to act as visual prompts and reminders. I wanted the story to be seen as much as read, for the reader to be transported to that time. I wanted the book to be historically accurate without being too turgid or bogged down by detail, and for the voice to be authentic but at the same time not alienate the twenty-first century reader.
Almost everything I learned during the course of my research shocked me in one way or another, and often reduced me to tears. Over and over I was struck by the scale of loss, and grief, and the extraordinary bravery, not just of the men at the front, but of the mothers and families and those left at home. I have a teenage son, and so to read about boys as young as fourteen or fifteen who went off to fight was heart wrenching. And reading first hand accounts of mothers who lost not just one son, but – two, three, four – all of their sons, drove home the enormity of that loss, and of a nation crippled and brow-beaten by grief.
It’s a very emotional novel. Which character did you find hardest to write? 
Clarissa: because it is her story. And although at first I wasn’t sure if I liked her, she proved she could survive. Her journey was definitely the hardest, emotionally. When we first meet her she is very much a product of her background: naive and cosseted and destined to be married off. Three years later, her world and expectations have changed. She copes – the best way she can, in a time when women of her class were considered mere trophies, and whose main purpose in life was to produce an heir and a spare. In many ways, and according to the conventions and expectations of that time, she failed. Because she did not become the person she was destined and brought up to be.
For readers with a particular interest in the period which books and novels would you recommend as further reading?
Testament of Youth by Vera Brittain
The Perfect Summer by Juliet Nicolson
The Great Silence by Juliet Nicolson
Ettie by Richard Davenport-Hines
The Duff Cooper Diaries edited by John Julius Norwich
The Edwardians by Roy Hattersley
Forgotten Voices of the Great War by Max Arthur
Lost Voices of the Edwardians by Max Arthur
Daisy: the Life and Loves of the Countess of Warwick by Sushila Anand
Born 1900 by Hunter Davies
And finally … what can we expect next from Judith Kinghorn?
Well, I can tell you that the next book is set in the same era, but this time a few years before the outbreak of World War One. It’s a story about memory, and duplicity, and obsessive love.
I’m already looking forward to it! Many thanks Judith and happy publication day.
You can find out more about Judith and her writing at: http://judithkinghorn.blogspot.com/
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