Big Bend, population 500, South Dakota, 1988. Eight-year-old Tiny Mite lives in a ramshackle farmhouse next to her grandfather’s crashed airplane and the pine tree where she trains as a spy. Goddamn is her favourite word. Taking pictures with her camera made of aluminium foil and a tin can is her new big thing. She lives with Bee, her apocalypse-obsessed grandmother and Luvie, her hard-drinking great-aunt. And then there’s her mother Velvet, beautiful and desperate, still in love with her high school boyfriend who she left to have a brief fling with Tiny Mite’s absent father.
One night, Tiny Mite hears a cry, but it’s not what she imagines. And nothing will ever be the same. Six years later, Clea won’t let anyone call her Tiny Mite anymore. Luvie has fallen in love with a pastor, and Bee’s health is failing. Velvet is gone, and nobody except Bee, who can’t bring herself to turn her back on her daughter, will even mention her name.
Containing a wonderfully engaging and eccentric cast of characters who live long in the memory, this is the story of mothers and daughters, people bound by blood and geography, moments captured and lifetimes lost, and things never quite turning out as expected.
Not the Only Sky was a wonderful surprise to read; I’d expected a quirky read, something a little different, but what I found was not just quirky, but beautiful and heartfelt with characters that jumped off the page and will stay with me. Together with the thread of mystery that runs through the story, this all added up to a really excellent read.
Starting in 1988 and told in three parts over a decade, Not the Only Sky is the story of Tiny Mite/Clea and her family. In the first part of the novel we meet Tiny Mite and her family. Tiny lives with her Mum, Velvet, her grandmother Bee and Her great aunt Luvvie in an old farmhouse deep in rural South Dakota. The town she lives in is small in a huge state and Big Bend is very much a forgotten corner of the world with run down shops, a dwindling population and a fair amount of poverty.
I love stories like this that tell of small town life and are populated by quirky but usually lovable and strong female characters. Tiny and the women that surround her certainly fit the bill; all are eccentric in different ways, slightly broken but still fighting and finding a way forward. Eight year old Tiny’s inner dialogue is just brilliant – I could have read her thoughts all day and in the tradition of Scout Finch and Swan Lake, Tiny has a a wonderfully unique take on the world.
So too does Tiny’s grandma Bee; deeply religious with a basement full of food stored for the apocalypse and a conspiracy theory for everything, I thoroughly enjoyed getting to know her character. Bee in particular has a complex line to tread, trying to keep her family together despite their individual difficulties. Not the Only Sky is very much a novel about the complexities of human relationships, particularly those of mothers and daughters and Alyssa Warren does a brilliant job of showing that there is often disparity between our thoughts and feelings and our actions and this gave me a lot of empathy for all of the charcters.
The story pivots around a day in 1988 that brings about huge change in the life of the family and is constructed in a very clever way so as to keep the reader guessing what happened to Tiny and Velvet that day. As the narrative jumps to 1994 then 1998 and moves between Velvet’s and Tiny’s (now known as Clea) stories, I was gripped!
I’m a big fan of books that follow a character through a number of years of their lives and I loved reading as Clea grew up and wishing wholeheartedly for a good outcome for her. With a timeless mix of old and new, heartbreak and hope, family ties and new beginnings, wise words and eccentric philosophies, Not the Only Sky is an excellent debut from Alyssa Warren and I’m very pleased to have discovered a wonderful new author.
Not the Only Sky is released today in paperback and ebook formats by Black and White Publishing.
Find out more about Alyssa Warren and her writing at: http://www.alyssa-warren.com/book/
I’d like to thank the publisher for providing a review copy of this book.
I’m spoiling you this week with a second giveaway! I have two beautiful hardback copies of Skullsworn by Brian Staveley to give away.
For one apprentice assassin, the clock is ticking . . . Skullsworn follows Pyrre, a priestess attempting to join the ranks of the God of Death, who goes back to the city of her birth to pass the final test of her religious order: killing ten people in a month. The trouble is, the test stipulates that among the ten offerings, one must be a person that she loves . . .
Pyrre Lakatur doesn’t like the description skullsworn. It doesn’t capture the beauty of her devotion to Ananshael, God of Death. She is not an assassin, but a priestess. Or she will be, if she can pass her final trial. The problem isn’t killing: Pyrre has spent her life training to kill where needful. The problem is love. To pass the trial, a skullsworn must offer their partner to Ananshael – but Pyrre has never been in love, and time is short.
Pyrre throws herself into the other aspects of her trial – until she’s arrested by the brilliant, enigmatic Commander Ruc Lan Lac. He might be Pyrre’s last chance at love, so she must stay close – even as he investigates the murders she’s committing. It’s a dangerous dance, trying to fall for a man whilst worshipping a god he loathes. If she succeeds, she must betray her only love. And if she fails, a violent death awaits them both . . .
This giveaway is open to UK residents only and will close at midnight on Wednesday 26th April. Good Luck!
I’m delighted to welcome Brian Staveley to One More Page today to celebrate the release of his new fantasy novel, Skullsworn; a standalone novel, set in the world of Staveley’s critically acclaimed Chronicles of the Unhewn Throne trilogy.
Brian has taught literature, philosophy, history, and religion before writing epic fantasy. He lives on a steep dirt road in the mountains of southern Vermont, where he divides his time between fathering, writing, husbanding, splitting wood, skiing, and adventuring, not necessarily in that order. Welcome Brian!
I try, as a general rule, not to catalogue those aspects of my personality that embarrass me, but if I were to attempt such a catalogue, one item that would definitely make the list is this: I’m a movie crier.
Fine, you say. Everyone cries during movies. Obviously, I haven’t made clear the extent of the issue. I’m not talking about movies like Million Dollar Baby or Saving Private Ryan (though I cry during those, too). I will cry during X-Men. I will cry during a trailer for X-Men. If a television commercial is sufficiently moving—like something for life insurance or Subaru—I might cry during that, too.
Now, fortunately, we’re not talking about gasping, bawling, unable-to-breathe sobbing. Most people don’t even know I’m crying because I can be quite sneaky about it. I get a little choked up. There might be a silent tear or two. In a darkened movie theater it almost always goes unnoticed, though one needs to be discreet at Super Bowl parties.
Interestingly, the crying doesn’t always correspond to the sad moments. In fact, the crying often corresponds to the goosebumps I get during training montages, or when some character does something cool, egged on by an excellent sound track. Think: Han Solo’s surprise return at the end of A New Hope. This, for me, is an even more effective tear-jerker than the sad moments, like when Wicket the ewok is burned alive on a pyre. Wait, what? That didn’t happen? Well, good. I like Wicket.
Anyway, as it turns out, this crying tendency of mine has actually come to serve a vital role in my writing life. I cry when reading just as much as I do when watching movies. The book doesn’t necessarily have to be good, but it needs to create a certain mood. When I started writing fantasy, I spent a fair amount of time analyzing my own reactions to books. Whenever I put a book down for the night, I’d take a few minutes and try to understand why I chose to stop reading at that point, rather than earlier or later. When I decided to forge on into another chapter, I’d ask myself what, specifically, was making me want to keep reading. And when a book made me tear up, I’d dig into that, too. I wanted to understand the technical underpinnings to my emotional reactions.
My own books don’t make me cry—I’m too close to them, too mired in all the various drafts and unexplored possibilities. There are, however, two possibilities when I reread a scene that I’ve written: either I feel not all that much, or I feel a cold skin-prickle that I recognize as the precursor to what, if I were reading someone else’s book, might end up as tears. When I’m editing, I know the scenes that should elicit the skin-prickle. If they fail to do that, I rewrite them from the ground up. It’s not that I expect my readers to share all of my emotional reactions. Nor do I think every scene needs to be a tear-jerker. And yet it’s useful, in a job that can get so intellectual, to have a visceral barometer of a scene’s success, even if it’s just a personal one. And if I can get someone else to sob all over the book during their lunch hour, so much the better. I won’t need to feel quite so strange about my own silent weeping.
Skullsworn is published by Tor UK in hardback, ebook and audio formats on 20 April.
Find out more about Brian and his writing at: http://brianstaveley.com/index/
You can follow Brian on Twitter @Brian Staveley.
Stop by again later today for a chance to win a copy of Skullsworn.
As part of the ‘paperchain blog tour’ for Paper Hearts and Summer Kisses, Carole’s publisher has given me a copy of the book to give away. I’m using my giveaway copy to say thank you to you, my fab readers and fellow book lovers.
This giveaway is open to UK residents only and will close at midnight on Friday 21st April. Good Luck!
Christie Chapman is a single working mother who spends her days commuting to her secretarial job in London and looking after her teenage son, Finn.
It can be tough just getting through the day but Christie has always found comfort in her love of crafting and any spare time she has is spent in her parents’ summerhouse working on her beautiful creations. From intricately designed birthday cards to personalised gifts, Christie’s flair for the handmade knows no bounds and it’s not long before opportunity comes knocking.
All of a sudden Christie sees a different future for her and Finn – one full of hope and possibility, and if the handsome Max Alexander is to be believed, one full of love too. It’s all there for the taking.
And then, all of sudden, Christie’s world is turned upside down.
Christie endeared herself to me straight away and I liked her more the more I read. She’s a single mum to fifteen year old Finn and the pair have a very close bond which was a joy to read. I loved that Christie is around the same age as me and as she did the dreaded commute into London each day, there was a lot that I could identify with. Christie has a great sense of humour as she tries to keep on top of holding down a full time job at a city law firm and caring for Finn who has been having some health problems and I admired her determination. Carole has based the character on her real life friend ‘Christine’ and her love and admiration for her and her son shines through on the pages.
Christie’s support network is wonderful and she has a brilliant relationship with her parents who live nearby. It was so lovely to read a story with such a positive emphasis on family – I wanted to move in with Christie’s Mum and Dad as I read! As Christie gets the opportunity to take her craft hobby to the next level by working with an American company, her family and friends rally round to support her – her law firm boss Robyn is another brilliantly written character who got a big thumbs up from me.
But just as things begin to look up, there’s more bad news on the way and this book certainly played with my emotions – it was only too easy to put myself in Christie’s shoes and to think how I’d feel if one of my sons was in Finn’s situation. I was on the edge of my seat rooting for both Finn and Christie to have the happy ending they deserved.
In addition to the family drama, Paper Hearts and Summer Kisses has a wonderful romantic thread to it too as Christie meets handsome American CEO Max and her fellow commuter Henry and they both show an interest in her. I loved Christie for staying true to herself as both men vied for her attention and Carole conjures up some seriously romantic ‘dates’ in very glamorous locations whilst keeping the reader guessing!
Paper Hearts and Summer Kisses is a fab and inspiring read about weathering the many ups and downs that life can throw at us – a lovely uplifting read that left me with a smile on my face.
Paper Hearts and Summer Kisses is out now in paperback, ebook and audio formats from Sphere.
Check out Carole’s fab website for more information on her books and the background to this story: http://www.carolematthews.com/
Please do check out the other stops on the blog tour and stop by here again later today for the chance to win a copy of this lovely book!
Andrea is a single, childless 39-year-old woman who tries to navigate family, sexuality, friendships and a career she never wanted, but battles with thoughts and desires that few people would want to face up to.
Told in gut-wrenchingly honest language that shimmers with rage and intimacy, All Grown Up poses such questions as:
- What if I don’t want to hold your baby?
- Can I date you without ever hearing about your divorce?
- What can I demand of my mother now that I am an adult?
- Is therapy pointless?
- At what point does drinking a lot become a drinking problem?
- Why does everyone keep asking me why I am not married?
Powerfully intelligent and wickedly funny, All Grown Up delves into the psyche of a flawed but mesmerising character. Readers will recognise themselves in Jami Attenberg’s truthful account of what it means to be a 21st century woman, though they might not always want to admit it.
All Grown Up is an interesting and thought provoking read. For me, it wasn’t the most comfortable of reads at times but I did enjoy it. The novel tells the story of Andrea – a complex character if ever there was one. I felt like I’d been through the wringer after spending time in Andrea’s head and, a week after finishing reading, I’m still not sure what my feelings are for her! The readers reaction to Andrea is a key premise of the book. There are scenes that might shock, her language and narration of events is no holds barred blunt and she presents a version of the truth that begs for discussion and analysis.
My feelings for Angela veered from admiration to dislike and from empathy to pity. Andrea is happy on her own but through her narrative in All Grown Up shows how she feels that society conspires to tell her that she’s taken a wrong path, that her choices aren’t right and that she should feel bad about them. For a large part of the story, Andrea does feel bad; about her relationships, her art, her family and friends. Even her apartment conspires against her!
My initial reaction to Andrea was to be sympathetic – I could understand the pressures and frustrations that come with parents and friends thinking that you should be doing particular things with your life at certain points and I have strong feelings that a woman should be able to be single and childless if she wants. I found myself getting a little annoyed with Andrea because she didn’t seem to know what she wanted really and her choices seemed to be making her so unhappy.
The story is put together in chapters that jump around in time to slowly reveal the big picture of Andrea and those close to her. Two threads in this picture really interested me; Andrea’s relationship with her Mother and with her friend Imogen. Andrea’s mum was actually my favourite character – I thought she was strong, independent and willing to stand by her choices and fight for her family.
But it was the relationship between Andrea and Imogen that intrigued me most. Not so long ago, I was on the Imogen side of this relationship having just had my first son and trying very hard to maintain a friendship with a friend who actively disliked children and had a very physical revulsion to motherhood in general. Andrea’s reaction to Imogen helped me to take another perspective on this particular friendship dilemma – I love how books can do that!
At the heart of All Grown Up is the big question ‘what makes us adults?’ and I think Andrea represents a lot of the questions that we ask ourselves as we try to be grown ups. Andrea doesn’t necessarily have the answers but in reading this book I’m sure many will recognise situations and mindsets that are familiar – a great novel to debate with friends.
All Grown Up is out now in hardback and ebook formats from Sepent’s Tail.
I’d like to thank the publisher for sending me a review copy of this book.
Meet the Reading Group: five women in the seaside village of Little Sanderton come together every month to share their love of reading. No topic is off-limits: books, family, love and loss . . . and don’t forget the glass of red!
Serena, the ambitious young Headmistress of Poppins Private School, has just begun reading Jane Eyre alongside her friends in the Reading Group. She would never admit it out loud, but she’s half hoping that reality might once again echo fiction. Will she perhaps meet her own Mr Rochester?
That doesn’t stop her from being slightly alarmed when her secretary arranges an appointment with one Mr Winchester, the handsome father of a troubled pupil in the midst of a messy divorce. But when the line between work and pleasure begins to blur, and troubles in her own family come to a head, Serena is left wondering if being a romantic heroine is all it’s cracked up to be…
I’ve been thoroughly enjoying the reading group series (you can read my thoughts on the earlier episodes here) and I’ve been looking forward to Serena’s turn in the spotlight. This is a lovely series for a quick read and the focus on classic novels that the group is reading each month, is a fab premise for the stories.
Each month the reading group choose a classic book for their meeting and the book that the group is reading for April installment is Jane Eyre. I was intrigued to find out how Della would bring the themes and characters of Jane Eyre into a modern day story but I must say she’s done it with flair and the April episode of The Reading Group is my new favourite of the set.
Serena is a school headmistress and has plunged herself into her career as a result of the sad loss of her husband Nick at a very young age. In this episode we finally get to delve into Serena’s character and her background more with the detail of her life at school, her relationships with her family and her past with Nick coming through strongly. Serena is one of my favourite reading group characters and the events of this story only made me like her even more.
As Serena meets Mr Winchester – who might just be her very own Mr Rochester – the scene is set for a gripping storyline as she becomes involved in his family’s troubles. As if this wasn’t drama enough, there’s an excellent sub plot involving Serena’s niece that had me hooked too.
The ladies of the reading group have by now established a close relationship and I loved how they rallied round to support Serena in this April story. For followers of the series, you’ll be pleased to know that there are brief (and exciting) updates on some of the other ladies in the group and the promise of much more to come in the next installment: The Reading Group – Summer Holiday which is thankfully out at the end of the month!
If you haven’t tried this series yet, don’t be afraid to jump in here as each story does stand alone very well. You might also like to note that there’s a free taster, The Reading Group December available to download too!
The Reading Group -April is out now in ebook formats from Quercus.
I’d like to thank the publisher for providing a review copy of this book.
Today I’m welcoming Inge Saunders to One More Page to talk about the challenges that she faced when writing her latest novella, The Wolf’s Choice. Inge lives in the biggest small town in South Africa‒ Worcester. She fell in love with books when she started reading romance novels with her grandmother. Intrigued by the worlds books unlocked, it was inevitable she would take pen to paper. She holds an Honors degree in Community Development and Learning Support and loves to sink her teeth into the research part of a story.
When she’s not writing about that ‘inexplicable attraction’ she’s reading almost every sub-genre in romance out there, spending time with friends and family and taking hikes in her hometown’s National Karoo Park.
I remember at one point I did a post on my Facebook Author Page on the research I’d done on ‘how to approach writing a love scene’. Don’t worry I won’t do a recount here *smile*
But what is the challenge of writing sizzling instead of sweet? Romance is romance after all. There can’t be much difference between the two. And right there, I would lose my reader. Because a sweet romance reader is looking for something different than a reader who prefers a more sizzling read. As an author with a deep respect for readers (because I’m a reader myself) I sat back and dug deep to understand the complexity of the challenges I’m going to face as I tell the story.
The Wolf’s Choice is my first foray into romance that sizzles. It also forms part of a bigger world, The Black Hills Wolves, created by Heather Long and Rebecca Royce for Decadent Publishing. So I had to keep the requirements of the series in mind and stay true to what the creators had in mind of for it. And since the inspiration for the novella started off in my imagination with these two innocent teens meeting at the local Swimming Hole, I knew that I’m going to have a problem if I kept to my ‘old’ style of sweet romance writing (even though the scene when read on its own is sweet).
I think it’s good to note at this point that I don’t just read sweet romance. The romance books I buy range in heat levels, but I usually gravitate towards the stories that contain a happy medium. And that’s the crux for an author who’s going from a ‘clean’ read to a much hotter one. The first challenge you’ll face is to ask yourself, where’s my comfort level with the hotness-factor? Once you’ve established this, you’ll know whether you’ll be able to write a romance that sizzles or have to completely abandon that writing path.
The second challenge, I found, has to do with language, what words to use? Do you want to be graphic? What do your favorite authors use when they tackle a love scene? And most importantly, what type of language is used by the authors contracted for the series/line you want to write for? If the language is an issue for you, then don’t. To force is a crime *smile* and no one likes to be forced to do anything. I’ve read authors who use the words dick, pussy, etc. in such a jarring way that I stopped reading the story. To me, they are out of sync with their characters. If your heroine has never throughout the book even thought of sex or referred to her body parts in her mind or in the dialogue in erotic terms, then goodness why are you now suddenly having her using those terms? The language becomes jarring.
That’s something I had to study in The Wolf’s Choice. A woman with sexual experience wouldn’t necessarily be coy about sex. Though we all know it’s not that cut and dried, characters, like people are complex. (And this you’ll find out about my heroine Rebecca, when you read the story). But there are certain universal things we all accept and don’t about characters in novels.
So language is a definite challenge when writing a sizzling romance.
Don’t lose the plot. No seriously, don’t. Essentially you’re telling the story of two people falling in love and the obstacles that keep them from doing that. As a romance writer that’s your first priority. Don’t get bogged down by how hot your book’s supposed to be. Or by what page number your characters should have, at least, kissed. Or made love. And don’t write love scenes as fillers. Some publishers might compromise story because sex is the subject of that imprint. But you have to keep in mind that at the heart of every romance is the emotional bond between the hero and heroine. The emotional bond adds layers to the sizzle and the sizzle in your story should advance the plot.
The important thing to acknowledge is that you’ll face challenges as you go along, but to not allow them to keep you from telling your story.
Thank you Inge.
The Wolf’s Choice is out now in ebook formats.
Find out more about Inge and her writing at:
Books by Inge Saunders: http://bit.ly/1defI54
“I’ll pledge my loyalty to you through a blood oath, if you’ll support my choice of mate.”
Drew sank into his chair. “What does Rebecca have to say? The last time I spoke to her, she didn’t mention you.”
Blaine smiled. He hadn’t earned himself any favors. “She doesn’t know yet.”
Thirteen years ago Rebecca Ferguson died, at least to everyone in the Black Hills territory. With a human mother and unable to shift into a wolf, Magnum Tao, the deranged alpha of the Tao Pack would’ve had both her and her father killed for deceiving him. Magnum didn’t allow humans to mate with members of his pack.
Now Magnum is the one who’s dead, and Rebecca can return.
But coming back from the dead, building a new life after her divorce, and opening a library in town aren’t the only obstacles Rebecca faces. Elijah, her father, doesn’t approve of her being in Los Lobos to the point where he forbids her to get involved with the pack, especially the males.
Their relationship has suffered because of her absence and she hopes to bridge the divide, confident that she doesn’t want a romantic entanglement with anyone human or wolf, anyway.
In walks sexy private detective Blaine Walker.
Thirteen years ago Blaine stumbled on his mate at the local swimming hole. The next day, she was dead. Once he learns Rebecca is alive and living in Los Lobos, he decides it’s time to give up his career in Brooklyn and return to the Black Hills. But he knows it won’t be easy to claim her since Elijah’s unnaturally overprotective. The only way Elijah will back off is to challenge him.
A challenge that will end in one of their deaths.
The Tao Pack’s rebuilding itself and needs to guard against any threats outside or in. For Blaine to have any chance to claim Rebecca, Elijah needs to be dealt with and to deal with Elijah, Drew, the alpha of the Tao Pack, has to sanction the challenge according to pack law.
Rebecca can’t deny the old attraction she felt for Blaine is still there and even stronger now that they are grown up. She’s caught between the man fate has brought back to her and her father, whose affection she’s craved her whole life.
But there’s a secret governing Elijah’s erratic behavior that can cost Rebecca everything she’s worked hard to build and everything she thought she could never have with a man or wolf.
Will Rebecca and Blaine beat the odds stacked against them?
Or will the choices they make ultimately lead them down a path both of them don’t want?